{"id":17794,"date":"2024-08-27T08:48:54","date_gmt":"2024-08-27T08:48:54","guid":{"rendered":"https:\/\/theasiantelegraph.global\/?p=17794"},"modified":"2024-08-27T08:48:55","modified_gmt":"2024-08-27T08:48:55","slug":"hadiqa-kianis-baari-thaani-starring-humayun-saeed-takes-the-music-world-by-storm","status":"publish","type":"post","link":"https:\/\/theasiantelegraph.global\/?p=17794","title":{"rendered":"HADIQA KIANI\u2019S \u201cBAARI THAANI\u201d STARRING HUMAYUN SAEED TAKES THE MUSIC WORLD BY STORM"},"content":{"rendered":"\n
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Karachi : – The iconic Pakistani songstress, Hadiqa Kiani released her latest masterpiece ‘Baari Thaani’ with her mesmerizing vocals on all major music streaming platforms amid much fanfare worldwide.<\/p>\n\n\n\n

Hadiqa Kiani\u2019s magical rendition of \u2018Baari Thaani’ starring Humayun Saeed is now streaming on YouTube.<\/p>\n\n\n\n

With the release of \u2018Baari Thaani\u2019, Hadiqa Kiani once again has the global audiences in her thrall, while the excitement for the song presented by the South Asian record label Sufiscore is at an all-time high, alongside a heavy influx of plays and views as it continues to garner praise online from music aficionados.<\/p>\n\n\n\n

What makes Hadiqa Kiani\u2019s latest magnum opus ‘Baari Thaani’ stand out all the more is its music video directed by the creative genius Abdullah Haris whose visual prowess along with Humayun Saeed\u2019s stellar performance makes this song a dream come true for the fans who had been eagerly awaiting the big release.<\/p>\n\n\n\n

‘Baari Thaani\u2019 by the celebrated singer Hadiqa Kiani with her silvery vocals is a captivating piece of art that is not only making waves but also leaving an unforgettable mark on the hearts of millions of music lovers across the globe.<\/p>\n\n\n\n

This year Hadiqa Kiani has delivered chart-toppers one after another, including \u2018Jani Door Gaye\u2019, \u2018Unn Ki Taraf Say\u2019, and \u2018Kithe Nain\u2019. The ultra-talented singer also has \u2018Boohay Baariyan\u2019, the classic \u2018Maane Di Mauj\u2019 and Sufi songs like \u2018Aaj Rung Hai\u2019, \u2018Kamli\u2019, \u2018Kamli Da Dhola\u2019, \u2018Bhit Ja Bhitai\u2019, \u2018Daachi Waaliya\u2019, and \u2018Chaap Tilak\u2019, along with her previous viral success with Sufiscore: \u2018Janay Iss Dil\u2019 to her credit.<\/p>\n\n\n\n

\u2018Baari Thaani\u2019 by Hadiqa Kiani features opening verses by the famed singer herself and Prof. Rashid Hassan Rana, with direction by Abdullah Harris, poetry and melody by Mian Sheheryar, sarod by Ustad Tanvir Hussain, flute by Ustad Baqir Abbas, guitar by Steive George, tabla by Asif Ali Goga, harmonium, music production, mix & master by Irfan Kiani, art direction by Mahina Reki & Khizer Durrani, Sharjeel Anwar as Producer, Abu Bakr Siddique as DOP, Hadiqa Kiani\u2019s wardrobe by Erum Khan and Mehr Khan, Humayun Saeed\u2019s wardrobe by Atoofy Studio and Mehr Khan, and styling by Rida Aurangzaib.<\/p>\n","protected":false},"excerpt":{"rendered":"

Karachi : – The iconic Pakistani songstress, Hadiqa Kiani released her latest masterpiece ‘Baari Thaani’ with her mesmerizing vocals on all major music streaming platforms amid much fanfare worldwide. Hadiqa… <\/p>\n","protected":false},"author":8,"featured_media":17795,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,13],"tags":[1513,1514],"class_list":["post-17794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-main-stories","tag-film-industry-of-pakistan","tag-lolly-wood-pakistan"],"_links":{"self":[{"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/posts\/17794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17794"}],"version-history":[{"count":1,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/posts\/17794\/revisions"}],"predecessor-version":[{"id":17796,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/posts\/17794\/revisions\/17796"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=\/wp\/v2\/media\/17795"}],"wp:attachment":[{"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theasiantelegraph.global\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}